General Submissions

This exhibition brings together a diverse selection of works from student artists across all years and programs, offering a broad view of evolving creative practices. Without a singular theme, it opens space for a range of perspectives, practices, and ideas, highlighting individual voices at different stages of growth and creating a space where varied styles and ways of seeing can exist side by side.

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A close-up, side profile of a person with dark hair, wearing a dark headscarf, square sunglasses, and a brown faux fur coat. Sunlight illuminates their face, highlighting slightly parted lips. A dark patterned armband is visible on their right forearm, with a blurred green landscape passing by outside the car window.

Amanda Edwards

Crane Kisses

A high-contrast, artistic portrait showing a person from the chest up, featuring a voluminous dark brown afro. Their face is a blur of intense red, orange, and yellow light streaks from long exposure, making features indistinct but creating a glowing effect, especially on their lips. They wear a white ribbed tank top, a beaded necklace, a gold bangle on their left arm, and a blue beaded bracelet on their left wrist, with their left hand on their hip. Their skin is heavily saturated with yellow and green light, blending into a grainy light blue and purple background with additional light trails.

Angel Lopresti

Move

A young woman with dark, curly hair tied back, seen from behind, wears a red halter-neck bikini top and light wash blue jeans with a red waistband peaking out. She stands in tall green grass, hands clasped behind her back, looking towards a vibrant green forest bathed in sunlight. In the foreground, a weathered split-rail wooden fence crosses the scene, partially obscured by the grass, and a mix of deciduous and coniferous trees fills the background under a bright sky.

Anna Coleman

This Is It

A full-body portrait of a young man with short brown hair and a neutral expression, wearing a gray long-sleeved shirt and blue jeans, standing centered on a dimly lit grassy path. He is starkly illuminated by a camera flash, contrasting with the dark background of dense green trees, notably a large weeping willow. Countless small, white, glowing insect orbs are visible throughout the frame, especially among the foliage and on the path, adding an ethereal quality to the night scene.

Annika Nicolay

Liam

A high-angle, black and white photograph captures a young man and woman lying entwined in lush, tall grass. The man, on the left, wears a dark knitted sweater and shorts, curled on his side facing the woman. The woman, on the right, wears a light knitted sweater and briefs, also curled on her side facing him. Their bare feet, some stained with sand or dirt, touch in the center, and the grass covers the entire frame.

Annika Nicolay

Bed

A full-body shot of a person with long, dark hair, kneeling on an indigo-blue surface. They are wearing a voluminous, semi-transparent white dress. Their head is tilted sharply backward, looking upwards, with one hand gently touching a golden ornament near their ear. A strong, ethereal light emanates from the top-left, illuminating the scene and creating lens flares and a deep shadow beneath the figure, adding to a dramatic, dreamlike atmosphere.

Ashley Bazzano

Evanescent

A high-contrast, black and white macro photograph captures an abstract view of human skin, likely a clenched hand. The frame is filled with undulating folds, deep creases, and a myriad of fine lines, creating a rugged, textured landscape. Bright highlights along the raised surfaces and stark shadows within the valleys emphasize the intricate three-dimensional topography and organic patterns of the skin.

Ava Tsarynnyk

Dermis

A dark night captures a large, intensely bright and pixelated column of white light and magenta smoke ascending vertically from a street-level source. Numerous people, including families and children, sit and stand watching the display from the street in front of an illuminated two-story house with dark trees, while an orange/yellow pixelated glow is visible at the base of the main plume.

Avery Biricz

Untitled

A long, covered pedestrian overpass curves gently to the right, viewed at night. The arched ceiling is made of corrugated metal and heavily covered in dark graffiti. Below, both sides feature silver metal railings with vertical bars, topped with chain-link fencing. The dark floor appears wet and reflects the warm orange artificial light emanating from the far end of the tunnel, which leads out to a bright street light.

Baz Alfred

Light

A vivid, high-contrast image of a pale yellow, single-story house with a light gray roof and bright yellow fascia, featuring a dark green screened-in porch on the left and a large window with light blue sheer curtains on the right. A television antenna is mounted on the roof against an expansive, clear cyan-blue sky. In the foreground, a concrete driveway runs alongside a vibrantly colored, lime-green lawn where a light blue mailbox with the number '11' stands on a post next to a short wire fence. The house is slightly elevated on wooden supports.

Carter Henry

Neighbours

A symmetrical, low-angle perspective looking down the length of a deserted subway car. Rows of red upholstered bench seats line both sides, with silver vertical poles and horizontal handrails extending above them. Illuminated advertisements are visible above the windows. The grey floor shows dark smudges, and a closed red door is at the far end, all under cool fluorescent lighting.

Cassie Santinhos

Somewhere Between

A stark image bathed in a vibrant green light, showing two long, dark human shadows projected onto a textured cinder block wall. The left shadow has dark, vertical drips extending from it, resembling melting. A white sign reading 'NO EXIT' in black text is centered on the wall. A black metal railing with vertical bars runs across the bottom, and a black letter 'B' is visible on the upper right wall.

Clovia Tsoi

No Exit

A young Black man with dreadlocks and aviator sunglasses wears a white shirt, tie, and a dark leather trench coat. He holds two yellow and grey Nerf blasters in a dynamic stance, one angled up and the other aimed forward. The 'NERF' logo is prominently displayed in the top left corner and on the blasters, against a smooth, light purple-grey background.

Cristian Galarza-Villamarin

Nerf

A low-angle, close-up shot of a woman with curly brown hair, wearing a dark brown furry hat and olive green jacket, laughing with her eyes closed and mouth wide open. Her hands are raised near her head, and strong sunlight illuminates her from behind, creating a lens flare. She is surrounded by tall, dry golden-brown reeds against a clear blue sky.

Dalila Oliveira

Autumn Breeze

A high-contrast black and white photograph of a complex still life composition. On the upper right, a white human skull rests on a stack of several books, including 'POCKET NURSE GUIDE TO ELECTROCARDIOGRAPHY', 'OVIDS METAMORPHOSES', and 'KANT CRITIQUE OF PURE REASON'. To the left, a tall glass vase holds a bouquet of dried wildflowers, with a cluster of grapes and twinkling fairy lights draped in front of it. In the foreground, two large, opened academic books lie on a rumpled white cloth, displaying detailed diagrams and text. A patterned teacup and saucer are positioned to the left of the open books, accompanied by scattered dried leaves or petals. Thin strands of small, glowing fairy lights are woven throughout the entire scene, all set against a dark, moody background.

Elenor Warren

Hateful

A black and white photograph captures a serene winter landscape, likely a park, under a thick blanket of fresh snow. A large, snow-covered, bare tree branch stretches across the top. In the mid-ground, a solitary figure walks through the deep snow, leaving a trail of footprints. Bare trees, some with visible snow on branches, line the path, along with snow-laden park benches and a picnic table. The background is obscured by heavy fog or falling snow, lending a soft, ethereal quality to the scene. A utility pole and street lamp are visible on the left.

Eli Beldick

Winter Hollows

A wide, slightly desaturated landscape photo captures a tranquil waterfront on an overcast day. In the foreground, a paved path curves around a circular area featuring two empty wooden park benches. Rocky shorelines and green grass frame the path. Across the calm, light blue water, the large, grey 'Collingwood Terminals Limited' grain elevator stands prominently, its symmetrical reflection visible. To its right, a busy marina with numerous sailboat masts extends along the distant shore. The sky is a soft, muted blue-grey with light cloud cover.

Eufemae Menendez

Petrichor

A striking duotone headshot of a person in a bulky, off-white vintage astronaut helmet. The lower face, with a slightly open mouth and fair hair, is visible beneath a dark sun visor. The helmet features visible mechanical parts, wires, and a ribbed hose, while a powerful light shines from its top, creating a radiant glow against the deep black, seemingly dusty, backdrop.

Fionn Rewucki

Eclipse

A classic yellow Volkswagen Beetle is shown from a low, front angle, illuminated by warm, amber light. A pair of worn, brown leather driving gloves lie on the center of its hood, just beneath the windshield. The dark interior, featuring two front seats and a rearview mirror, is visible through the glass, suggesting the car is ready for a nostalgic journey.

Fionn Rewucki

Mellow Yellow

Close-up of a wide-open brown human eye visible through a roughly torn, irregular hole in a vibrant green knitted fabric. The frayed edges of the tear are dark gray, contrasting with the green material.

Gerónimo Cadiac Tejada

Seeds Of Hope

A diptych image. The left panel features a black and white portrait of a young man from the chest up, his face and upper body almost entirely obscured by extreme overexposure, creating a bright white aura against a deep black background. His eyes appear closed, and his expression is unreadable. The right panel displays about ten reddish-brown Tylenol 500 gelcaps, some clearly showing the brand name, scattered unevenly across a textured white surface. The surface also exhibits numerous thin, irregular reddish-brown streaks and smudges, suggesting spilled liquid or dried residue.

Gordon Nye

A General Feel

A vibrant, high-key abstract photograph featuring sweeping diagonal streaks of motion-blurred green foliage, reminiscent of palm fronds. These green elements range in shade and show sharply defined points, contrasting with expansive, equally streaked bright white areas, and a subtle warm yellow tone in the upper right. The composition conveys a strong sense of movement and light.

Heather McGeown

Still Motion

A dramatic, sepia-toned black and white close-up portrait features a person with short, dark curly hair, a nose ring, and a small cheek stud. They wear a dark button-up shirt, a textured studded tie, and an open, distressed denim jacket with white pinstripes and patches. Their midriff is exposed, revealing a large, stylized 'DYKE' tattoo. Another person's hands are visible: one with rings rests on the subject's head, and another with a 'Charm' tattoo on the wrist is on their shoulder, near a large 'Open Here' skull belt buckle.

Izy Garcia

Dyke Charm

A striking frontal portrait of a person with their face, neck, and shoulders covered in a textured, glossy royal blue body paint that catches the light. Their hair is slicked back and also painted blue. Bright white, almost luminous paint lines radiate from the inner corners of their dark eyes, extending towards the eyebrows and down their cheeks. They wear silver hoop earrings. The background is a solid, warm orange-red with soft light sources in the upper corners, creating a dramatic contrast.

James Calamusa

Big Colour

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