General Submissions

This exhibition brings together a diverse selection of works from student artists across all years and programs, offering a broad view of evolving creative practices. Without a singular theme, it opens space for a range of perspectives, practices, and ideas, highlighting individual voices at different stages of growth and creating a space where varied styles and ways of seeing can exist side by side.

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A Black man with short blonde curly hair and a golden leaf crown is depicted shirtless against a stark black background. He wears large, textured white and grey feathered wings that appear stained with reddish-brown marks, suggesting damage. His right shoulder bears a glistening, reddish wound, and he wears a cream and gold draped skirt. Dramatic lighting illuminates his pensive face and muscular physique as he looks down and to his left, with his left hand resting on his right shoulder.

Sam Derose

Icarus

A low-angle, black and white photograph of an architectural ceiling, featuring a repeating grid of square, recessed concrete coffers. Each coffer contains a bright, rectangular skylight, illuminating the dark, textured concrete walls and creating strong geometric patterns with deep shadows.

Sam Jacek

Concrete Heaven

Close-up of a heavily layered and distressed street poster wall. In the upper right, a black and white portrait of Malcolm X wearing sunglasses is partly visible through torn paper, with letters 'UP' visible below it. In the lower left, a grayscale portrait of Menachem Begin in a suit is visible, with faint triangular marks on his forehead. The background consists of ripped red, white, and black posters, with a horizontal strip showing a yellow leaf pattern and raindrops. The overall impression is one of urban decay and overlaid political history.

Sam Marshall

Public Protest

A polished light brown wooden chair with turned legs and a spindle back, featuring decorative keyhole-shaped cutouts, is positioned in the middle of a sunlit forest. The chair rests on green grass and moss with scattered fallen leaves, while the background shows a blurred expanse of trees with yellow and green foliage under a bright sky.

Sophie Makrigiannis

The Forest Guest

A scenic view from a shaded, rooted bank overlooking a calm lake, where a person in a red shirt sits with their back to the viewer, leaning against a tree trunk. Two prominent trees with vibrant green leaves frame the foreground, while across the sparkling water, forested hills and distant mountains rise under a clear, sunny sky, with a touch of reddish foliage visible on a far hillside.

Surya Badalera

Serene

A high-angle, black and white photograph depicting a densely packed crowd of people, heavily blurred with diagonal streaks of motion. Individual figures are indistinct, appearing as ethereal forms with numerous arms and hands raised towards the top, some holding up illuminated cell phones. The image has a grainy texture and dark tones, conveying a sense of frenetic energy and movement at a live event.

Teagan Labossiere

Sonder

A striking vertical photograph with a deep red background showcasing a sequence of light-skinned hands and forearms, rendered with a long exposure or multiple exposure effect, gracefully interacting with strands of silver and gold-toned beaded jewelry. The jewelry, featuring clear and amber-hued beads and crystals, dangles and shimmers, while the hands display manicured nails with dark polish and rings, conveying a sense of delicate movement and opulence.

Yulia Chernenko

Hand Wing

A wide shot of a bustling beach on a sunny day. The foreground shows gentle waves with many people swimming in the ocean, while the sandy shore is filled with colorful beach umbrellas, sun loungers, and people. Several red rescue boats are visible on the sand. In the background, a coastal town with buildings featuring terracotta roofs extends along the shore, backed by a range of hazy mountains under a bright blue sky with scattered clouds.

Zahra Nathoo

Viareggio, Italy

A grainy, abstract photograph dominated by deep blues and purples. The upper half features bright, wavy white and light blue reflections, resembling light on a disturbed water surface. Beneath this, blurred, ghost-like shapes suggest hands or limbs breaking the surface, and a faint, distorted face appears to be submerged or reflected looking upwards from the darker lower half. The texture and distortion create an ethereal, mysterious mood.

Zaneta Ambassa

I Have Never (Always) Known

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