The image is composed of two parts divided diagonally from top left to bottom right. The left half is composed of the land, and farms. The roads on the land all lead towards the centre of the image, which has a very proportionately small factory that is letting of a smoke cloud that dwarfs the factory itself. The right half is made up of a lake. The water on the lake seems to have something from the land bleeding into it as tendrils of sand, dozens of meters long, reach out into the lake.

North America, in culture, has the status of a mythological space and has been portrayed as somewhere that needs to be discovered. This project explores this place outside of time, simultaneously pinned solidly in the real world. The project seeks to uncover and bring to light the relationship we as humans have with the spaces we inhabit, such as resource usage and land distribution. The project documents these relationships with a bird’s-eye view of the land, showcasing vast sepia-toned landscapes referencing the visual language of the early 1900s photography, which was often used as a form of propaganda advocating for the European settling of North America.